Dr.-Ing. Axel Berndt

(This list is a very compressed overview.)

Music Performance Markup

Based on our investigations and model development work in the field of expressive music performance we are defining a descriptions format called Music Performance Markup (MPM). It is XML based. We will also develop a whole infrastructure of documentations, guidelines, sample encodings and software tools around it.

Inside Beethoven! The Audience Goes on Stage

When the musicians stand on stage and play, the audience keeps a respectful distance. In the installation Inside Beethoven! The Audience Goes on Stage (German title: Inside Beethoven! Das begehbare Ensemble) this is different! While invisible musicians perform, the audience is invited to enter the stage, go to the place of each individual musician and listen at close range. This creates an immersive experience that is otherwise hidden from the audience and reserved for the musicians themselves. The music, its polyphonic structure, the play of each instrument and its contribution to the overall sound suddenly become transparent. Visitors can literally walk through the ensemble, explore and discover major musical works from a totally new perspective. This musical installation has been developed for the Beethoven jubilee in 2020. Throughout this year it visited several museums, incl. Lippisches Landesmuseum (Detmold), Heinz Nixdorf MuseumsForum (Paderborn), Beethoven-Haus (Bonn), Haus der Musik (Wien) and Deutsche Nationalbibliothek (Leipzig, Frankfurt). [project website]

Digital Music Editions

In the course of the Center „Music – Edition – Media“ we develop tools for and new approaches to digital music editions. This comprises converters, audio-to-score alignment services, pen and touch interfaces for the annotation of autographs, file format developments and more.

Tools for Musicology and Music Education

Development of Music Information Retrieval techniques to support musicology and digital music edition.

With Vocalmetrics [1, 2] we, furthermore, provide a visualization and interaction tool for musicological work with large music databases. It supports database analysis with visual analytics techniques. Maintenance and the insertion of new datasets is supported by metapher-driven interactive rating techniques.

New Interfaces for Music Production

Free-hand input for controlling expressive music parameters, pen-and-touch interactive scores for different stages of classical music production.

New Interfaces for Musical Expression

Development of new synthesis and interaction techniques for musical instruments. This covers a whole bandwidth of human-machine interaction technologies, such as multitouch, free-hand gestures, and tangible interaction. One such outcome is the TouchNoise interface

Expressive Music Performance

In-depth analyses of phenomena of expressive music performance (timing, dynamics, articulation), the development of mathematical models to emulate these phenomena and their implementation to render expressive MIDI sequences.

Music for Interactive Media

Techniques for the musical scoring of interactive media, dynamic music, that is able to react on interaction, i.e. changes in the interactive narrative, seamlessly and without unmusical cuts and breaks. A presentation about adaptive game scoring with ambient music is published here.

Generative Music

Experiments with a whole bandwidth of algorithmic music generation techniques, always connected to direct and/or indirect user interaction even during playback.

Auditory Displays

Development of Auditory Display techniques for several application contexts. The sonification of motion data and mid-air gestures (tracked from Microsoft Kinect) support user interaction. The generation of urban soundscapes aid urban development and planning (in collaboration with Fraunhofer IFF Magdeburg). A series of studies on navigation via sound mdulations, we called these sounds Auditory Pointers, resulted in the development of a prototype Android app.

Curricular Developments in Art, Science and Engineering

I contributed to the development of a new interdisciplinary Masters study course at Ostwestfalen-Lippe University of Applied Sciences and University of Music Detmold. It involves the fields media production, audiovisual arts and computer science.

I was, furthermore, involved in a project that brought together Technische Universität Dresden, Dresden University of Applied Sciences (Hochschule für Technik und Wirtschaft Dresden) and Dresden University of Fine Arts (Hochschule für Bildende Künste Dresden). In this project we explored possibilities for shared interdisciplinary studies.

Interaction and Visualization Techniques for Agile Multiproject Management

In this project we developed interaction and visualization approaches to support the efficiency and effectiveness of different meeting and planning scenarios in business companies.

• Interaktive Partituren in der Musikproduktion
  S. Waloschek
  Thesis, Ostwestfalen-Lippe University of Applied Sciences, Center of Music and Film Informatics, Detmold, Germany, 2017.
  [BibTeX]

  @MASTERSTHESIS{Waloschek:2017:IPMP,
  author = {Waloschek, S.},
  title = {{Interaktive Partituren in der Musikproduktion}},
  school = {Ostwestfalen-Lippe University of Applied Sciences, Center of Music and Film Informatics},
  year = {2017},
  address = {Detmold, Germany},
  month = {Feb.}
  }

• Auditory Guides: Techniken zur räumlichen Navigation mittels auditorischer Zeiger
  H. Schuster
  Diploma thesis, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2015.
  [BibTeX]

  @MASTERSTHESIS{Schuster:2015:AG,
  author = {Schuster, H.},
  title = {{Auditory Guides: Techniken zur r\"aumlichen Navigation mittels auditorischer Zeiger}},
  school = {Technische Universit\"at Dresden, Faculty of Computer Science},
  year = {2015},
  address = {Dresden, Germany},
  month = {Aug.},
  type = {Diploma thesis}
  }

• Kombination von Klangparametern für auditorische Zeiger
  M. Möhler
  Diploma thesis, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2015.
  [BibTeX]

  @MASTERSTHESIS{Moehler:2015:KKAZ,
  author = {M\"ohler, M.},
  title = {{Kombination von Klangparametern f\"ur auditorische Zeiger}},
  school = {Technische Universit\"at Dresden, Faculty of Computer Science},
  year = {2015},
  address = {Dresden, Germany},
  month = {July},
  type = {Diploma thesis}
  }

• Newton: Interface-Konzepte zur Steuerung digitaler Audio-Effekte und Klangsyntheseparameter basierend auf 2D-Physik-Engines
  T. Meerpohl
  Diploma thesis, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2015
  in cooperation with MAGIX Software GmbH.
  [BibTeX]

  @MASTERSTHESIS{Meerpohl:2015:Newton,
  author = {Meerpohl, T.},
  title = {{Newton: Interface-Konzepte zur Steuerung digitaler Audio-Effekte und Klangsyntheseparameter basierend auf 2D-Physik-Engines}},
  school = {Technische Universit\"at Dresden, Faculty of Computer Science},
  year = {2015},
  address = {Dresden, Germany},
  month = {May},
  type = {Diploma thesis},
  note = {in cooperation with MAGIX Software GmbH}
  }

• Zykloid: A Visual Approach To Drum Synthesis
  J. Peschke
  Diploma thesis, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2015.
  [BibTeX]

  @MASTERSTHESIS{Peschke:2015:Zykloid,
  author = {Peschke, J.},
  title = {{Zykloid: A Visual Approach To Drum Synthesis}},
  school = {Technische Universit\"at Dresden, Faculty of Computer Science},
  year = {2015},
  address = {Dresden, Germany},
  month = {May},
  type = {Diploma thesis}
  }

• Ein Multitouch-Interface für ein digitales Musikinstrument
  N. Al-Kassab
  Diploma thesis, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2014.
  [BibTeX]

  @MASTERSTHESIS{Kassab:2014:MDM,
  author = {Al-Kassab, N.},
  title = {{Ein Multitouch-Interface f\"ur ein digitales Musikinstrument}},
  school = {Technische Universit\"at Dresden, Faculty of Computer Science},
  year = {2014},
  address = {Dresden, Germany},
  month = {Aug.},
  type = {Diploma thesis}
  }

• Kollaboratives Arbeiten in Multitouch-Umgebungen
  A. -M. Balcke
  student research project, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2014
  in cooperation with MAGIX Software GmbH.
  [BibTeX]

  @MASTERSTHESIS{Balcke:2014:KAM,
  author = {Balcke, A.-M.},
  title = {{Kollaboratives Arbeiten in Multitouch-Umgebungen}},
  school = {Technische Universit\"at Dresden, Faculty of Computer Science},
  year = {2014},
  address = {Dresden, Germany},
  month = {July},
  type = {student research project},
  note = {in cooperation with MAGIX Software GmbH}
  }

• Auditives Feedback zur Unterstützung der Eingabe von berührungsfreien Gesten
  L. Engeln
  Bachelor thesis, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2014.
  [BibTeX]

  @MASTERSTHESIS{Engeln:2014:AF,
  author = {Engeln, L.},
  title = {{Auditives Feedback zur Unterst\"utzung der Eingabe von ber\"uhrungsfreien Gesten}},
  school = {Technische Universit\"at Dresden, Faculty of Computer Science},
  year = {2014},
  address = {Dresden, Germany},
  month = {July},
  type = {Bachelor thesis}
  }

• Cubrick: Der Rubik-Würfel als Tangible MIDI Controller
  T. Meerpohl
  student research project, Technische Universität Dresden, Faculty of Computer Science, Dresden Germany, 2014.
  [BibTeX]

  @MASTERSTHESIS{Meerpohl:2014:CUB,
  author = {Meerpohl, T.},
  title = {{Cubrick: Der Rubik-W\"urfel als Tangible MIDI Controller}},
  school = {Technische Universit\"at Dresden, Faculty of Computer Science},
  year = {2014},
  address = {Dresden Germany},
  month = {July},
  type = {student research project}
  }

• Cyclone: Klangsynthese auf der Basis zyklischer Bézierkurven
  J. Peschke
  student research project, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2014
  awarded at MIDI HACK Stockholm, Sweden, May 2014.
  [BibTeX]

  @MASTERSTHESIS{Peschke:2014:Cyclone,
  author = {Peschke, J.},
  title = {{Cyclone: Klangsynthese auf der Basis zyklischer B\'ezierkurven}},
  school = {Technische Universit\"at Dresden, Faculty of Computer Science},
  year = {2014},
  address = {Dresden, Germany},
  month = {Apr.},
  type = {student research project},
  note = {awarded at MIDI HACK Stockholm, Sweden, May 2014}
  }

• Entwicklung eines Rating-Tools für die Erstellung musikwissenschaftlicher Datensätze
  F. Schönfeld
  student research project, Technische Universität Dresden, Faculty of Computer Science, Dreden, Germany, 2013
  in collaboration with University of Music Franz Liszt Weimar.
  [BibTeX]

  @MASTERSTHESIS{Schoenfeld:2013:REMD,
  author = {Sch\"onfeld, F.},
  title = {{Entwicklung eines Rating-Tools f\"ur die Erstellung musikwissenschaftlicher Datens\"atze}},
  school = {Technische Universit\"at Dresden, Faculty of Computer Science},
  year = {2013},
  address = {Dreden, Germany},
  month = {Oct.},
  type = {student research project},
  note = {in collaboration with University of Music Franz Liszt Weimar}
  }

• Erweiterte Untersuchung zum Design auditorischer Zeiger
  H. Schuster
  student research project, Technische Universität Dresden, Faculty of Computer Science, Dreden, Germany, 2013.
  [BibTeX]

  @MASTERSTHESIS{Schuster:2013:EUAZ,
  author = {Schuster, H.},
  title = {{Erweiterte Untersuchung zum Design auditorischer Zeiger}},
  school = {Technische Universit\"at Dresden, Faculty of Computer Science},
  year = {2013},
  address = {Dreden, Germany},
  month = {Oct.},
  type = {student research project}
  }

• Bewegungssonifikation
  M. Möhler
  student research project, Technische Universität Dresden, Faculty of Computer Science, Dreden, Germany, 2013.
  [BibTeX]

  @MASTERSTHESIS{Moehler:2013:BS,
  author = {M\"ohler, M.},
  title = {{Bewegungssonifikation}},
  school = {Technische Universit\"at Dresden, Faculty of Computer Science},
  year = {2013},
  address = {Dreden, Germany},
  month = {Oct.},
  type = {student research project}
  }

• Metaphernbasierte Visualisierung von Musikdatenbanken
  N. Christoph
  Diploma thesis, Technische Universität Dresden, Faculty of Computer Science, Dreden, Germany, 2013.
  [BibTeX]

  @MASTERSTHESIS{Christoph:2013:MVM,
  author = {Christoph, N.},
  title = {{Metaphernbasierte Visualisierung von Musikdatenbanken}},
  school = {Technische Universit\"at Dresden, Faculty of Computer Science},
  year = {2013},
  address = {Dreden, Germany},
  month = {Sept.},
  type = {Diploma thesis},
  }

• Interaktive Ambiente Musik
  M. Müller
  Diploma thesis, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2013.
  [BibTeX]

  @MASTERSTHESIS{Mueller:2013:IAM,
  author = {M\"uller, M.},
  title = {{Interaktive Ambiente Musik}},
  school = {Technische Universit\"at Dresden, Faculty of Computer Science},
  year = {2013},
  address = {Dresden, Germany},
  month = {Aug.},
  type = {Diploma thesis}
  }

• Multi-Touch-Interaktion mit Klangpartikeln
  N. Al-Kassab
  student research project, Technische Universität Dresden, Faculty of Computer Science, Dreden, Germany, 2013.
  [BibTeX]

  @MASTERSTHESIS{Kassab:2013:MIK,
  author = {Al-Kassab, N.},
  title = {{Multi-Touch-Interaktion mit Klangpartikeln}},
  school = {Technische Universit\"at Dresden, Faculty of Computer Science},
  year = {2013},
  address = {Dreden, Germany},
  month = {July},
  type = {student research project}
  }

• Design auditorischer Zeiger: Eine Untersuchung zu den Auswirkungen ausgewählter Klangparameter auf die Effektivität eines akustischen Zeigers
  R. Lorenz
  Diploma thesis, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2013.
  [BibTeX]

  @MASTERSTHESIS{Lorenz:2013:DAZ,
  author = {Lorenz, R.},
  title = {{Design auditorischer Zeiger: Eine Untersuchung zu den Auswirkungen ausgew\"ahlter Klangparameter auf die Effektivit\"at eines akustischen Zeigers}},
  school = {Technische Universit\"at Dresden, Faculty of Computer Science},
  year = {2013},
  address = {Dresden, Germany},
  month = {March},
  type = {Diploma thesis}
  }

• Komplexpraktikum Musikvisualisierung
  E. Brumme, F. Schönfeld, and H. Nguyen
  student research project, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2013.
  [BibTeX]

  @MASTERSTHESIS{Brumme:2013:MV,
  author = {Brumme, E. and Sch\"onfeld, F. and Nguyen, H.},
  title = {{Komplexpraktikum Musikvisualisierung}},
  school = {Technische Universit\"at Dresden, Faculty of Computer Science},
  year = {2013},
  address = {Dresden, Germany},
  month = {Feb.},
  type = {student research project}
  }

• Project Soundgarden: Partikel-basierte Sonifikation von Gesten mittels der Tiefenkamera Microsoft Kinect
  H. Schuster and M. Möhler
  student research project, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2013.
  [BibTeX]

  @MASTERSTHESIS{Schuster:2013:PS,
  author = {Schuster, H. and M\"ohler, M.},
  title = {{Project Soundgarden: Partikel-basierte Sonifikation von Gesten mittels der Tiefenkamera Microsoft Kinect}},
  school = {Technische Universit\"at Dresden, Faculty of Computer Science},
  year = {2013},
  address = {Dresden, Germany},
  month = {Feb.},
  type = {student research project}
  }

• Vertonung virtueller Stadtmodelle
  A. Bartz
  Bachelor thesis, Otto-von-Guericke University of Magdeburg, Faculty of Computer Science, Magdeburg, Germany, 2010.
  [BibTeX]

  @MASTERSTHESIS{Bartz:2010:VVSM,
  author = {Bartz, A.},
  title = {{Vertonung virtueller Stadtmodelle}},
  school = {Otto-von-Guericke University of Magdeburg, Faculty of Computer Science},
  year = {2010},
  address = {Magdeburg, Germany},
  month = {Dec.},
  type = {Bachelor thesis}
  }

• Interactive Composer
  J. Miksch and J. Trappe
  student research project, Otto-von-Guericke University of Magdeburg, Faculty of Computer Science, Magdeburg, Germany, 2010.
  [BibTeX]

  @MASTERSTHESIS{Miksch:2011:IC,
  author = {Miksch, J. and Trappe, J.},
  title = {{Interactive Composer}},
  school = {Otto-von-Guericke University of Magdeburg, Faculty of Computer Science},
  year = {2010},
  address = {Magdeburg, Germany},
  type = {student research project}
  }

• Unterstützung der Werkanalyse durch automatische Analysetechniken am Beispiel der Telemann-Datenbank
  D. Büchner
  Diploma thesis, Otto-von-Guericke University of Magdeburg, Faculty of Computer Science, Magdeburg, Germany, 2007.
  [BibTeX]

  @MASTERSTHESIS{Buechner:2007:WA,
  author = {B\"uchner, D.},
  title = {{Unterst\"utzung der Werkanalyse durch automatische Analysetechniken am Beispiel der Telemann-Datenbank}},
  school = {Otto-von-Guericke University of Magdeburg, Faculty of Computer Science},
  year = {2007},
  address = {Magdeburg, Germany},
  month = {Jan.},
  type = {Diploma thesis}
  }

• Three Experiments with AI Music Generation
  A. Berndt
  in Deconstruction; Order. Mozart?, Kunstmuseum Stuttgart, Stuttgart Germany, 2023
  concert.
  [BibTeX]

  @INPROCEEDINGS{Berndt:2023:SKOKI,
  author = {Berndt, A.},
  title = {{Three Experiments with AI Music Generation}},
  booktitle = {{Deconstruction; Order. Mozart?}},
  month = {May},
  year = {2023},
  organization = {Stuttgart Chamber Orchestra},
  address = {Kunstmuseum Stuttgart, Stuttgart Germany},
  note = {concert}
  }

• Der Tag, mein Gott, ist nun vergangen
  A. Berndt,
  in Zwischentöne 2: Bläsermusik zwischen Himmel und Erde, K. -P. Diehl, M. Schnabel, and A. Form, Eds., Wuppertal, Germany: CVJM-Westbund e.V., 2023, p. 119–121.
  [BibTeX]

  @INCOLLECTION{Berndt:2023:DerTag,
  author = {Berndt, A.},
  title = {{Der Tag, mein Gott, ist nun vergangen}},
  booktitle = {{Zwischent\"one 2: Bl\"asermusik zwischen Himmel und Erde}},
  pages = {119--121},
  year = {2023},
  month = {Jan.},
  editor = {Diehl, K.-P. and Schnabel, M. and Form, A.},
  publisher = {CVJM-Westbund e.V.},
  address = {Wuppertal, Germany}
  }

• Meditation
  A. Berndt,
  in Das gehört zusammen: Bläserheft zum Landesposaunentag Wolfenbüttel 2023, S. Harras, S. Schlüter, and R. Schrötke, Eds., Wolfenbüttel, Germany: Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig, 2023, p. 30–31.
  [BibTeX]

  @INCOLLECTION{Berndt:2023:Medit,
  author = {Berndt, A.},
  title = {{Meditation}},
  booktitle = {{Das geh\"ort zusammen: Bl\"aserheft zum Landesposaunentag Wolfenb\"uttel 2023}},
  pages = {30--31},
  year = {2023},
  editor = {Harras, S. and Schl\"uter, S. and Schr\"otke, R.},
  publisher = {Posaunenwerk der Ev.-Luth. Landeskirche Braunschweig},
  address = {Wolfenb\"uttel, Germany}
  }

• Herr Christ, der einig Gotts Sohn
  A. Berndt,
  in Der Tag ist nicht mehr fern: Bläsermusik zum Weihnachtsfestkreis, F. Plewka, Ed., Munich, Germany: Strube Verlag, 2022, p. 88–89.
  [BibTeX]

  @INCOLLECTION{Berndt:2022:EinigGottsSohn,
  author = {Berndt, A.},
  title = {{Herr Christ, der einig Gotts Sohn}},
  booktitle = {{Der Tag ist nicht mehr fern: Bl\"asermusik zum Weihnachtsfestkreis}},
  pages = {88--89},
  year = {2022},
  month = {Sept.},
  editor = {Plewka, F.},
  publisher = {Strube Verlag},
  address = {Munich, Germany}
  }

• Morgenglanz der Ewigkeit
  A. Berndt,
  in Gott danken ist Freude, Band IV, M. Döhler, T. Peter, T. Schab, and J. -M. Schlegel, Eds., Dresden, Germany: Sächsische Posaunenmission, 2021, p. 187–188.
  [BibTeX]

  @INCOLLECTION{Berndt:2021:GdF2,
  author = {Berndt, A.},
  title = {{Morgenglanz der Ewigkeit}},
  booktitle = {{Gott danken ist Freude, Band IV}},
  pages = {187--188},
  year = {2021},
  editor = {D\"ohler, M. and Peter, T. and Schab, T. and Schlegel, J.-M.},
  publisher = {S\"achsische Posaunenmission},
  address = {Dresden, Germany}
  }

• Meditation
  A. Berndt,
  in Gott danken ist Freude, Band IV, M. Döhler, T. Peter, T. Schab, and J. -M. Schlegel, Eds., Dresden, Germany: Sächsische Posaunenmission, 2021, p. 88–89.
  [BibTeX]

  @INCOLLECTION{Berndt:2021:GdF1,
  author = {Berndt, A.},
  title = {{Meditation}},
  booktitle = {{Gott danken ist Freude, Band IV}},
  pages = {88--89},
  year = {2021},
  editor = {D\"ohler, M. and Peter, T. and Schab, T. and Schlegel, J.-M.},
  publisher = {S\"achsische Posaunenmission},
  address = {Dresden, Germany}
  }

• Lob Gott getrost mit Singen
  A. Berndt,
  in Lippenklänge: Bläserheft Lippisches Landesposaunenfest 2020, C. Kornmaul, Ed., Detmold, Germany: Posaunendienst in der Lippischen Landeskirche, 2020, p. 64–67.
  [BibTeX]

  @INCOLLECTION{Berndt:2020:LG,
  author = {Berndt, A.},
  title = {{Lob Gott getrost mit Singen}},
  booktitle = {{Lippenkl\"ange: Bl\"aserheft Lippisches Landesposaunenfest 2020}},
  pages = {64--67},
  year = {2020},
  editor = {Kornmaul, C.},
  publisher = {Posaunendienst in der Lippischen Landeskirche},
  address = {Detmold, Germany}
  }

• Nun sich der Tag geendet hat
  A. Berndt,
  in Musik aus Mitteldeutschland, Munich, Germany: Strube Verlag, 2012.
  [BibTeX]

  @INCOLLECTION{Berndt:2012:NS,
  author = {Berndt, A.},
  title = {{Nun sich der Tag geendet hat}},
  booktitle = {{Musik aus Mitteldeutschland}},
  year = {2012},
  publisher = {Strube Verlag},
  address = {Munich, Germany},
  month = {Jan.}
  }

• Liturgie für Bläser
  A. Berndt, , 2nd ed., Halberstadt, Germany: Musikverlag Bruno Uetz, 2008.
  [BibTeX]

  @BOOK{Berndt:2008:LIT,
  author = {Berndt, A.},
  title = {{Liturgie f\"ur Bl\"aser}},
  publisher = {Musikverlag Bruno Uetz},
  month = {Jan.},
  year = {2008},
  edition = {2nd},
  address = {Halberstadt, Germany}
  }

• Modellbasierte Beschreibung musikalischer Interpretationen
  A. Berndt
  in Forschungskolloquium, Detmold, Germany, 2022
  invited talk.
  [BibTeX]

  @INPROCEEDINGS{Berndt:2022:ETI,
  author = {Berndt, A.},
  title = {{Modellbasierte Beschreibung musikalischer Interpretationen}},
  booktitle = {{Forschungskolloquium}},
  month = {Nov.},
  year = {2022},
  organization = {Detmold University of Music, Erich Thienhaus-Institut},
  address = {Detmold, Germany},
  note = {invited talk}
  }

• Musik vom Computer: Eine Entdeckungsreise in die Welt der generativen Musik
  A. Berndt
  in Data Society. Chancen – Verantwortung – Innovationen, Paderborn, Germany, 2022
  invited talk.
  [BibTeX]

  @INPROCEEDINGS{Berndt:2022:UPB50,
  author = {Berndt, A.},
  title = {{Musik vom Computer: Eine Entdeckungsreise in die Welt der generativen Musik}},
  booktitle = {{Data Society. Chancen - Verantwortung - Innovationen}},
  month = {Sept.},
  year = {2022},
  organization = {Paderborn University},
  address = {Paderborn, Germany},
  note = {invited talk}
  }

• Digital Sounds im Future Marketing: So klingt die Zukunft
  A. Berndt
  in CEBIT 2018 panel discussion, Hannover, Germany, 2018.
  [BibTeX]

  @INPROCEEDINGS{Berndt:2018:CEBIT,
  author = {Berndt, A.},
  title = {{Digital Sounds im Future Marketing: So klingt die Zukunft}},
  booktitle = {{CEBIT 2018 panel discussion}},
  year = {2018},
  address = {Hannover, Germany},
  month = {June}
  }

• Formale Beschreibung musikalischer Interpretationen
  A. Berndt and B. W. Bohl
  in Aufführung und Edition 2018, 17. Int. Tagung der Arbeitsgemeinschaft für germanistische Edition, Frankfurt am Main, Germany, 2018.
  [BibTeX]

  @INPROCEEDINGS{Berndt:2018:FBMI,
  author = {Berndt, A. and Bohl, B. W.},
  title = {Formale Beschreibung musikalischer Interpretationen},
  booktitle = {Auff\"uhrung und Edition 2018, 17. Int. Tagung der Arbeitsgemeinschaft f\"ur germanistische Edition},
  year = {2018},
  organization = {Goethe-Universit\"at Frankfurt am Main},
  address = {Frankfurt am Main, Germany},
  month = {Feb.}
  }

• Musik im Spiel
  A. Berndt
  in Kolloquium zur Musik des 20.\ Jahrhunderts, Innsbruck, Austria, 2018
  invited talk.
  [BibTeX]

  @INPROCEEDINGS{Berndt:2018:MIS,
  author = {Berndt, A.},
  title = {{Musik im Spiel}},
  booktitle = {{Kolloquium zur Musik des 20.\ Jahrhunderts}},
  month = {Jan.},
  year = {2018},
  organization = {Universit\"at Innsbruck, Institut f\"ur Musikwissenschaft},
  address = {Innsbruck, Austria},
  note = {invited talk}
  }

• Herausforderungen der editorischen Erschließung auditiver Objekte
  A. Berndt
  in Projekt Sprechmaschine Workshop: Wo liegt der Mehrwert digitaler Ausstellungen für universitäre Sammlungen?, Dresden, Germany, 2017
  invited talk.
  [BibTeX]

  @INPROCEEDINGS{Berndt:2017:HEE,
  author = {Berndt, A.},
  title = {{Herausforderungen der editorischen Erschlie{\ss}ung auditiver Objekte}},
  booktitle = {{Projekt Sprechmaschine Workshop: Wo liegt der Mehrwert digitaler Ausstellungen f\"ur universit\"are Sammlungen?}},
  year = {2017},
  organization = {Technische Universit\"at Dresden},
  address = {Dresden, Germany},
  month = {Nov.},
  note = {invited talk}
  }

• Musikeditionen zum Klingen bringen
  A. Berndt, S. Waloschek, and A. Hadjakos
  in Edirom Summer School 2017, Paderborn, Germany, 2017
  invited workshop.
  [BibTeX]

  @INPROCEEDINGS{Berndt:2017:MKB,
  author = {Berndt, A. and Waloschek, S. and Hadjakos, A.},
  title = {{Musikeditionen zum Klingen bringen}},
  booktitle = {{Edirom Summer School 2017}},
  month = {Sept.},
  year = {2017},
  organization = {Universit\"at Paderborn},
  address = {Paderborn, Germany},
  note = {invited workshop}
  }

• XML Music Performance Description
  A. Berndt and B. W. Bohl
  in Music Encoding Conference 2016, Montréal, Canada, 2016.
  [BibTeX]

  @INPROCEEDINGS{Berndt:2016:Xml-Music-Performance,
  author = {Berndt, A. and Bohl, B. W.},
  title = {{XML Music Performance Description}},
  booktitle = {{Music Encoding Conference 2016}},
  year = {2016},
  organization = {McGill University, Schulich School of Music},
  publisher = {Music Encoding Initiative},
  address = {Montr\'eal, Canada},
  month = {May}
  }

• Musizieren mit dem Computer
  A. Berndt and S. H. Menges
  in 21. Schulinformatiktag, Dresden, Germany, 2015
  invited workshop.
  [BibTeX]

  @INPROCEEDINGS{Berndt:2015:MMC,
  author = {Berndt, A. and Menges, S. H.},
  title = {{Musizieren mit dem Computer}},
  booktitle = {{21. Schulinformatiktag}},
  month = {Mar.},
  year = {2015},
  organization = {Technische Universit\"at Dresden},
  address = {Dresden, Germany},
  note = {invited workshop}
  }

• Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen
  A. Berndt
  in 7. Symposium zur Filmmusikforschung: Film, Tanz, Musik, Salzburg, Austria, 2012
  invited talk.
  [BibTeX]

  @CONFERENCE{Berndt:2012:IDM,
  author = {Berndt, A.},
  title = {{Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen}},
  booktitle = {7. Symposium zur Filmmusikforschung: Film, Tanz, Musik},
  year = {2012},
  organization = {University of Salzburg},
  publisher = {Kieler Gesellschaft f\"ur Filmmusikforschung},
  address = {Salzburg, Austria},
  month = {June},
  note = {invited talk}
  }

• Generative Musik als Werkzeug in der Musikwissenschaft
  A. Berndt
  in Telemann-Festtagskonferenz 2012: Vom Umgang mit Telemanns Werken einst und jetzt. Telemannrezeption in drei Jahrhunderten, Magdeburg, Germany, 2012
  invited talk.
  [BibTeX]

  @INPROCEEDINGS{Berndt:2012:GM,
  author = {Berndt, A.},
  title = {{Generative Musik als Werkzeug in der Musikwissenschaft}},
  booktitle = {{Telemann-Festtagskonferenz 2012: Vom Umgang mit Telemanns Werken einst und jetzt. Telemannrezeption in drei Jahrhunderten}},
  year = {2012},
  organization = {Zentrum f\"ur Telemann-Pflege und -Forschung Magdeburg},
  address = {Magdeburg, Germany},
  note = {invited talk}
  }

• Der Computer als Komponist und Interpret der Zukunft?
  A. Berndt
  in Meeting of the Gesellschaft für Informatik (GI), Magdeburg, Germany, 2011
  invited talk.
  [BibTeX]

  @INPROCEEDINGS{Berndt:2011:DCKI,
  author = {Berndt, A.},
  title = {{Der Computer als Komponist und Interpret der Zukunft?}},
  booktitle = {{Meeting of the Gesellschaft f\"ur Informatik (GI)}},
  month = {April},
  year = {2011},
  organization = {Gesellschaft f\"ur Informatik},
  address = {Magdeburg, Germany},
  note = {invited talk}
  }

• Der Computer als Interpret
  A. Berndt and T. Hähnel
  in Gespräche um Telemann, Magdeburg, Germany, 2009
  invited talk.
  [BibTeX]

  @INPROCEEDINGS{Berndt:2009:DCI,
  author = {Berndt, A. and H\"ahnel, T.},
  title = {{Der Computer als Interpret}},
  booktitle = {{Gespr\"ache um Telemann}},
  month = {Oct.},
  year = {2009},
  organization = {Zentrum f\"ur Telemannpflege und -Forschung},
  address = {Magdeburg, Germany},
  note = {invited talk}
  }

• Audio-Interactive Counterpoint
  A. Berndt and K. Hartmann
  in Sound, Music and the Moving Image, University of London, England, 2007
  invited talk.
  [BibTeX]

  @INPROCEEDINGS{Berndt:2007:AIC,
  author = {Berndt, A. and Hartmann, K.},
  title = {{Audio-Interactive Counterpoint}},
  booktitle = {{Sound, Music and the Moving Image}},
  year = {2007},
  organization = {Institute of Musical Research},
  address = {University of London, England},
  month = {Sept.},
  note = {invited talk}
  }